Архітектура

Roomscapes is not only a beautiful testament to Mongiardino’s imaginative creations, the magnificent rooms he re-shaped and decorated in ancient Italian and Parisian palaces, English houses, New York apartments, but it is an important text that analyses space, function, decoration and lighting of rooms. It is meant as a guide to conceive spaces that are inhabited through time and by time. Sketches, drawings, and models by Mongiardino, next to the images of the finished rooms, make the creative process clear and showcase his extraordinary ability and taste. 

Roomscapes was originally published in 1993 and has long been out of print.

Contents: Preface by Giovanni Agosti; Introduction; Part one: The genesis of a room; Sketches; Chapter one: Space, measure, and models; Chapter two: The function of a room and its appearance; Chapter three: Decoration: ways to invent it, transform it, correct it; Chapter four: Decoration and the appeal of the exotic; Part two: Illusion: the eye deceived; Chapter five: Materials and the simulation of materials; Chapter two: The birth and development of perspective; Conclusion; Appendix: 16 unpublished sketches by Renzo Mongiardino.

About the Author:

Renzo Mongiardino, born in Genoa in 1916, was one of the world’s most renowned designers of the 60s, 70s and 80s, and remains highly influential. Although trained as an architect, and at a time when modernism ruled design, Mongiardino found inspiration in the likes of Bernini, Piranesi, Palladio, and the theater. He counted among his clients Gianni Agnelli, Lee Radizwill, Gianni Versace, Baron Thyssen-Bornemisza, Rudolf Nuryev, Valentino, and Baron Guy de Rothschild. Equally at home in the world of performance, he collaborated with Franco Zeffirelli on many films, including The Taming of the Shrew with Elizabeth Taylor and Richard Burton; and designed the set for Maria Callas’s triumphant return to opera in Tosca at Covent Garden. He died in 1998 at the age of 82.

Traces the evolution of midcentury houses and demonstrates how they are experienced and lived in today

This expanded and updated edition of the 2014 classic focuses on the concentration of midcentury houses in New Canaan, Connecticut, built by noted architects including Marcel Breuer, Eliot Noyes, Philip Johnson, John Black Lee, and Edward Durell Stone. This new edition addresses the issue of preservation and adaptive reuse as a sustainable architectural strategy.

A representative group of 17 houses reveals an evolving legacy, now adapting to contemporary life. Each is examined in detail, with plans, timelines, and both archival and new photography, capturing the clean, minimalist look of the initial construction and re-imagining by significant architects of our time. Today preservation and renovation of older buildings has new visibility as a sustainable approach. As the National Trust for Historic Preservation has said, “The greenest building is the one that is already built.”

About the Authors:

Cristina A. Ross is an architect and preservationist, based in New Canaan, and a board member of Preservation Connecticut.

Lorenzo Ottaviani is the creative director of Lorenzo Ottaviani Design.

Jeffrey R. Matz is a practicing architect in Stamford, Connecticut.

Michael Biondo is an architectural photographer whose work has appeared in numerous design publications.

Mid-century modern continues its resurgence. Discover Australia's best examples of modernist residential architecture thoughtfully adapted for the present day.

The intuitive design, sunlit spaces and tranquil vibe of Modernist houses still have an enduring appeal today. But can these homes be updated for contemporary living while maintaining the integrity of the original architecture?

The New Modernist House presents twenty-one mid-century homes respectfully restored and renewed for future generations to enjoy. Designs by some of the period’s heavyweights – including Anatol Kagan, Alistair Knox and Ernest Fooks – have been sensitively updated by today’s creative innovators.

Alongside stories of the passionate homeowners, architects and collaborators who have given these homes new life, a historical overview and section on practical considerations inform those drawn to a Modernist dream house. This colourful volume is both a useful resource for those embarking on their own renovation journey, and a sourcebook of inspiration for delighting in moments of nostalgia.

About the Author:

Patricia Callan is the founder of Modernist Australia, an online archive of local Mid-Century architecture. She has appeared on ABC radio, The Design Files and Fairfax publications to champion Modernist architecture from a layperson's perspective.

A major monograph on the Dutch garden designer, featuring his gardens and the largest collection of his drawings ever published

Step into a Piet Oudolf garden and you are transported into a dreamlike meadowscape, filled with perennials, seasonal color, and texture. Made in close collaboration with Oudolf, this book showcases gardens throughout his career and across the globe – from New York’s acclaimed High Line to the newly planted Vitra Campus in Germany. The book offers fresh insight into the work and creative practice of Oudolf, both from a horticultural and artistic perspective, showcasing high-profile and lesser-known gardens, including Chicago's Lurie Garden, Hauser & Wirth Somerset and Menorca, Venice Biennale, Singer Museum, Belle Isle in Detroit, Noma, and others.

It offers unprecedented insight into his design process, working methods, and inspirations, and features original sketches and drawings – many of which are published here for the first time. This major new monograph is significant not only for its breadth and the largest collection of Oudolf's drawings ever published, but also for its inclusion of brand-new work, together with newly commissioned essays that place his work in context and offer fresh perspective on his career and significance. The book also includes gatefolds and tip-ins to explain key designs.

About the Authors:

Cassian Schmidt is a gardener, landscape architect, and director of Hermannshof Garden in Germany. Noel Kingsbury is a planting design consultant and a prolific writer on gardens and naturalistic planting. Hans Ulrich Obrist is a curator, critic, art historian, and artistic director at the Serpentine Galleries in London.

With a palette drawn from the systems of Pantone, each postcard in this set of 100 offers a different bold hue to brighten up the mail.

The only color guide a designer will ever need; The Complete Color Harmony, Pantone Edition has been completely updated with Pantone colors and new text.

The Complete Color Harmony: Pantone Edition is the latest in Rockport Publishers' best-selling Color series. This edition has been completely revised from start to finish, and now features new text by Leatrice Eiseman, executive director of the Pantone Color Institute. And the color "moods" that she writes about in each chapter are based and matched with Pantone colors. The book expands on previous editions for the most comprehensive color reference to date.

This edition includes information on creating special effects, as well as an entirely new section devoted to the psychology of color. Eiseman helps readers determine their best color choices and suggests why some colors may inspire their creativity while others don't. The book includes new color palette sections along with expanded and updated color trends.

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architecture under the microscope. rem koolhaas’s essential toolkit to building anatomies

This collection is a look through the microscope at the real fundamentals of our buildings, revealing the essential design techniques used by any architect, anywhere, anytime. Conceived by Rem Koolhaas and made with the Harvard Graduate School of Design, it is a primordial toolkit to understanding how seemingly stable elements are actually in constant evolution.

Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, façade, balcony, corridor, fireplace, stair, escalator, elevator: the book seeks to excavate the micro-narratives of building detail. The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. It’s a guide that is long overdue — in Koolhaas’s own words, “Never was a book more relevant — at a moment where architecture as we know it is changing beyond recognition.”

Derived, updated, and expanded from Koolhaas’s exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, Manfredo di Robilant, and Jeffrey Inaba; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans.

In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter:

Custom split-spine binding: our printer modified their industrial binding machine to allow for the flexible, eight-centimetre thick spine
Contains a new introductory chapter with forewords, a table of contents, and an index, located in the middle of the book (where it naturally opens due to its unique spine)

Printed on 50g Opakal paper, allowing for the ideal level of opacity needed to realize Boom’s palimpsest-like design
Translucent overlays and personal annotations by Koolhaas and Boom are woven in each chapter to create an alternative, faster route through the book
Printed at the originally intended 100% size for full readability

The author:

Rem Koolhaas is a co-founder of the Office for Metropolitan Architecture. Having worked as a journalist and scriptwriter before becoming an architect, in 1978 he published Delirious New York. His 1996 book S,M,L,XL summarized the work of OMA and established connections of contemporary society and architecture. He was listed among TIME magazine’s 100 most influential people in 2008, and among many international awards and exhibitions, he received the Pritzker Prize (2000) and the Premium Imperiale (2003). He directed the 2014 Venice Architecture Biennale, coinciding with the first publication of Elements of Architecture.

The designer:

Irma Boom is a graphic designer specialized in making books. Since founding Irma Boom Office in 1990, she has worked with the likes of Chanel, the United Nations, OMA/Rem Koolhaas, Fondazione Prada, Pirelli, and Rijksmuseum Amsterdam. She received the Gutenberg Prize and the Johannes Vermeer Prize, the Dutch state prize for the arts, among others. Her work is in a permanent collection of the Design and Architecture Department of the Museum of Modern Art in New York. Since 1992, Boom is a Senior Critic at Yale University in the USA.

The artist:

Wolfgang Tillmans was born in Remscheid, Germany, in 1968 and studied at Bournemouth & Poole College of Art and Design. He is widely regarded as one of the most influential artists of his generation. His work, whilst appearing to capture the immediacy of the moment and character of the subject, also examines the dynamics of photographic representation. From the outset, he ignored the traditional separation of art exhibited in a gallery from images and ideas conveyed through other forms of publication, giving equal weight to both. His expansive floor-to-ceiling installations feature images of subcultures and political movements, as well as portraits, landscapes, still-lives and abstract imagery varying in scale from postcard- to wall-sized prints. His work has been shown at the Museum of Modern Art, New York, in 1996 and Tate Britain, London, in a major retrospective in 2003. He was awarded the Turner Prize in 2000.

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For her first book in ten years, Kelly Wearstler, one of the most irreverent and fascinating designers working today, continues to push boundaries with her inventive and opulent interiors, here inviting readers into her latest creations including her newly designed home.

Celebrated for luxurious interiors that capture the swankiness of old-world Hollywood with a modern pop sensibility, Wearstler is known for her decadent designs of residences and boutique hotels, such as the line of Viceroys and the tastemakers Maison 140 and Avalon. Her ornate interiors are distinctive for layers of bold textures, patterns, and rich colors juxtaposed with lustrous surfaces, adding up to a whimsical and elegant look that has been called "mod baroque."

Here Wearstler shares her creative world, profiling in detail her latest residential and commercial designs (several previously unpublished) and her sumptuous new San Francisco Proper Hotel, as well as her creative process. Full of ideas and with beautiful images of many never-before-photographed interiors, Kelly Wearstler: Evocative Style is an inspirational look at the designer's inventive work.

Filled with new work, this volume is a must for other designers and homeowners looking for elegant design inspiration and ideas.

About the Author:

Kelly Wearstler is an interior designer who has been honored as one of the elite Design 100 by Time Style & Design and has served as a judge on Bravo's Top Design series. Her work has been profiled in magazines such as Elle Decor, Vogue, House & Garden, House Beautiful, and The New Yorker. Wearstler lives in Beverly Hills with her family.

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A rich visual history of Architectural Digest, published for the magazine’s 100th anniversary

Architectural Digest at 100 celebrates the best from the pages of the international design authority. The editors have delved into the archives and culled years of rich material covering a range of subjects. Ranging freely between present and past, the book features the personal spaces of dozens of private celebrities like Barack and Michelle Obama, David Bowie, Truman Capote, David Hockney, Michael Kors, and Diana Vreeland, and includes the work of top designers and architects like Frank Gehry, David Hicks, India Mahdavi, Peter Marino, John Fowler, Renzo Mongiardino, Oscar Niemeyer, Axel Vervoordt, Frank Lloyd Wright, and Elsie de Wolfe.

Also included are stunning images from the magazine’s history by photographers such as Bill Cunningham, Horst P. Horst, Simon Upton, Francois Dischinger, Francois Halard, Julius Shulman, and Oberto Gili.

About the Author

Amy Astley was named editor-in-chief of Architectural Digest in 2016. She previously worked at House & Garden and Vogue before becoming the founding editor of Teen Vogue, a position she held for 13 years. She resides in New York City. 

Building spaces of equilibrium: Norm Architects’ sense of humane simplicity helps to shape environments that feel just as good as they look.

Guided by the purpose of wellbeing, the essence of Norm Architects’ style is balance: richness focused by restraint, simplicity imbued with warmth, complexity heightened by order. Be it architecture, interiors, or furniture, Norm’s unique brand of soft minimalism speaks to the mind as much as the body, creating and curating spaces for all.

The first self-curated monograph by Norm Architects, Soft Minimal showcases a range of works which facilitated their establishment as key figures within Nordic design. Presenting residential and commercial projects throughout Scandinavia, Italy and Japan, Norm reflects on Nordic traditions, modernist principles, and the importance of natural materials. Exploring a creative process that makes the visual speak to all senses, the book becomes insightful, inspirational, and deeply poetic.

Situated in one of Copenhagen’s oldest streets, Norm Architects are deeply embedded in their context and apply their principles in projects worldwide. Their expertise lies in finding that sweet spot between having nothing left to add, or to take away.

Since its original publication in 1978, Delirious New York has attained mythic status. Back in print in a newly designed edition, this influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas’s celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behaviour. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle — “the culture of congestion” — and its architecture.

“Manhattan,” he writes, “is the 20th century’s Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall).” Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York’s history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolours and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.

About the Author:

Rem Koolhaas is the internationally known architect, a founder of the Office for Metropolitan Architecture (O.M.A.) in Rotterdam, and author of the critically acclaimed S,M,L,XL.

A stylish celebration of some of the greatest buildings in Britain, from the 20th century and beyond, by the country’s leading organisation for the protection of 20th century architecture.

This fascinating book showcases 100 standout buildings from 1914 onwards, representing the broad variety of 20th century British architecture. The structures celebrated in this book include the Royal Festival Hall, the Hepworth Gallery, Preston Bus Station, Battersea Power Station, the Barbican Estate, the Aquatics Centre and many more.  

The glorious photography in 100 20th Century Buildings is accompanied by insightful text from a range of expert architectural writers and enthusiasts including Alan Powers, Owen Hatherley and Rowan Moore, along with several longer essays on different aspects of the 20th-century built environment: the late Gavin Stamp on the inter-war decades, the much missed Elain Harwood on post-war architecture and Timothy Brittain-Catlin on postmodernism.

From factories to art galleries, churches to health centres, office blocks to individual private dwellings, this book provides a captivating overview of the 20th century built environment.

About the Author:

The Twentieth Century Society is a British charity that campaigns for the preservation of architectural heritage from 1914 onwards. They provide support and advice to architects and planning authorities to protect the best twentieth-century architecture and design, whether through listing or sympathetic development and management.

A showcase of Britain’s most extraordinary gardens and landscapes from the twentieth century to the present day.

100 20th-Century Gardens and Landscapes highlights the evolution of gardens and landscapes over the past century, tracing how these distinctive creations complemented buildings of their period. Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens.

Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. Designers and architects such as Piet Oudolf, Charles Jencks, Frederick Gibberd, Geoffrey Jellicoe, Vita Sackville-West and Gertrude Jekyll are all featured, alongside more detailed essays on the history of gardens, planting styles, the importance of modern landscapes, and the career of Geoffrey Jellicoe.

The text is written by architectural, landscape and garden historians including Elain Harwood, Barbara Simms and Alan Powers. Beautifully illustrated throughout with photography, illustrations and garden plans, this book is ideal for gardeners and landscape lovers alike.

About the Author:

The Twentieth Century Society is a British charity that campaigns for the preservation of architectural heritage from 1914 onwards. They provide support and advice to architects and planning authorities to protect the best twentieth-century architecture and design, whether through listing or sympathetic development and management.

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Brick by Brick. The world’s most innovative brick buildings

Of all building materials in the world, brick is one of the most enduring and ubiquitous. Traces of brickmaking date back to 7500 BC and fired brick first made its appearance in about 3500 BC. Since then, the trusty brick has shown amazing resilience and remains one of the mainstays of contemporary architecture. Rooted in tradition in countries as different as China and the Netherlands, it is inexpensive, flexible in use, and can also be ecologically fabricated.

This comprehensive two-volume set tours the world to cover the most exciting and innovative brick buildings of the past 15 years, from Argentina to New Zealand. True to all TASCHEN architecture tomes, it includes new talents like Argentina’s Diego Arraigada and Vietnam’s Nguyen Hai Long as well as established starchitects such as Tadao Ando and Peter Zumthor. Featured buildings showcase the variety of brick applications across cultural, domestic, infrastructure, and leisure spaces, including Tate Modern Switch House by Herzog & De Meuron, Tidy Architects’ Amorio Restaurant in Santiago, and Mass Design Group’s Maternity Waiting Village in Kasungu, Malawi.

The editor and author

Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His TASCHEN books include the Architecture Now! series and monographs on Tadao Ando, Norman Foster, Renzo Piano, Jean Nouvel, Shigeru Ban, Oscar Niemeyer, and Zaha Hadid.

Timberland. The wooden structures of the 21st century

Not so very long ago, some might have considered wood a material of the past, long since replaced by more modern components such as concrete and steel. The truth is radically different. Bolstered by new manufacturing techniques and ecological benefits, wood has seen a fabulous resurgence in contemporary construction.

This book explores how architects around the world have created and invented with this elementary material. Featuring follies, very large buildings, and ambitious urban renewal schemes, it celebrates the diverse deployment of wood by architects around the world. We see how wood can at once transform urban spaces, as in the Metropol Parasol in Seville by Jürgen Mayer H., and allow for sensitive interventions in natural environments, such as at the Termas Geométricas Hot Springs Complex in Pucón, Chile, by Germán del Sol.

True to all TASCHEN architecture titles, the book pays tribute to many emerging international talents as well as to such renowned figures as Tadao Ando and Renzo Piano. It celebrates each architect’s vision and innovation, as well as investigating the techniques, trends, and principles that have informed their work with wood. It examines the computer-guided milling that has allowed for novel new forms, the responsible harvesting that allows wood to align with our environmental concerns, and, above all, wood’s enduring appeal to our senses and psyche, comforting hectic modern lives with a sense of Arcadian simplicity.

The author

Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His TASCHEN books include the Architecture Now! series and monographs on Tadao Ando, Santiago Calatrava, Renzo Piano, Jean Nouvel, Shigeru Ban, Richard Meier, Zaha Hadid, and soon Norman Foster.